The BARELY VISIBLE series (2018) were painted in a cathartic effort to understand different forms of gratitude and loss. Painted in the BARELY VISIBLE style (dripping-effect), this triptych references and draws on images from popular culture in an effort to suggest a fragmented play with notions of love and the evolution thereof.
Creation = Idealised love + generated and validated by popular culture
vs
Evolution = “Unconventional” love + generated and validated by us
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